mckenzie interior design Archives | Page 3 of 5 |
We’ve been taken with Gien’s Tulipe faience china pattern for some time now and we’re thrilled to have finally made this pattern the stars of a Tabletop Tuesday post here on the blog for steve mckenzie’s!
While it offers an absolutely classic sensibility to any table setting, we’ve found it can become quite modern – especially with paired with Gien’s Allure pattern.
This tabletop post begins with a graphic black and white dinner plate from Gien’s Tulipe collection.
The salad plate pattern aligns perfectly with the dinner plate, when stacked.
This stunning pewter Gabriella flatware by Match 1995 was an ideal match with these plates!
Now comes a modern edge, with the dessert plate in Gien’s Taupe colorway.
Bring in the blue! This canapé plate offered us a much needed dose of color.
Placing this Libeco Linen napkin on the diagonal helped to add texture and softness to the setting.
With all the colors and textures going on already, this tabletop didn’t call for added pattern; instead we completed the formal setting with a pair of clear water and wine glasses.
A simple pop of purple floral offers a natural element and completes the tabletop. Bon appetit!
Please stop by the steve mckenzie’s showroom today to begin pulling together a tabletop that’s ideal for you and your lifestyle. At steve mckenzie’s we love to create tabletops, which are unique to each family!
If you’ve ever visited the steve mckenzie’s showroom in Atlanta’s West Midtown neighborhood, you know we’re surrounded by some pretty fantastic neighbors. This includes our neighbor right next door, Verde Home. You may remember the many posts where you’ve we’ve made mention of them. We’re obvious fans. Plus, Steve has designed a line of rugs with Verde Home, which was such an honor!
Naturally, we turned to our friend, Kent Schneider, of Verde Home, when looking to share information on selecting an ideal rug for a space. He was so kind to answer our many questions and we thought we’d share them with you in this post all about how to choose an area rug.
After all, rugs are one of the primary elements of a space we’re asked most about and unfortunately, it’s easy, even with good intentions and tastes to not get it right. We hope this post helps you in your area rug selection. And please know, our design team here at steve mckenzie’s is always available to aid in your search and selection!
steve mckenzie’s: How do you know where to shop for a rug?
Kent Schneider: I would suggest looking for a specialized rug dealer or a store that sells rugs as a category rather than just as an accessory. By this I mean if you go into a home furniture store that has rugs on the floor but has no area to display and browse rug options…chances are they are just using them to make the furniture they are selling look good and they may not know as much about them. There are many exceptions to this, but in my experience I think it is a good rule of thumb.
sm’s: What should you know about your space when shopping for a rug?
KS: Most important would be the size of the room. That seems obvious but you would be surprised how many customers really have no idea how big the room is. 9 out of 10 times when customers estimate the size the do so on the small side. Rugs out of context often look very big. When you shop for one you may see an 8×10 in a stack and think it is a very large rug and perfect for a living room that actually needs a 10×14.
sm’s: Which rug materials work best in certain spaces?
KS: Right now, I would say Wool is still the fiber of choice for all indoor applications. It has great resilience, luster, and cleans well. Most of the synthetics on the market will always compare themselves to wool.
For outdoor applications, you will see a variety of fibers used. Rugs that get full exposed are generally made from some sort of woven plastic and can be very cheap (because they tend to last only a few seasons). Polyester is a good choice for covered out door areas as it handles moisture well. Most recently, we have seen solution-dyed acrylic fiber, like those used in Sunbrella fabrics start to make their way into the floor covering industry. At present, the piled rugs made from these are pricey, but I expect that will come down and these will become a good indoor/outdoor option.
sm’s: How do you determine the right size rug for your space?
KS: There is no hard and fast rule about how to size the rug for your room. In my experience, the larger the rug you can fit in a room, the larger the room will feel. Rugs tend to ground the room and define the boundaries of conversation groups. Undersized rugs can make a room feel cramped and can get lost under furniture.
You should also consider natural traffic patterns and doorways when laying out a room. When in doubt we always like to draw a room out to scale to see how a rug will fit. But if you need a quick method to visualize it we suggest marking the area off on your floor with some masking tape.
sm’s: What questions should one ask when shopping for a rug?
KS: Not all rugs are created equal and this will often be reflected in the price. Here are some different terms you’ll hear, which will help you determine what type of rug will work for you and your budget…
- Handmade or Machine made – with very few exceptions the machine-made rug should be cheaper than the hand made. That doesn’t always mean better because rugs come in many different knot densities. However, when comparing two rugs of similar content and density, the handmade rug would most often be more expensive and would generally be considered the better rug.
- Hand knotted, hand tufted or hand loomed – Handmade rugs can be made using Hand Knotting, Hand Tufting or Hand Looming. Hand knotting is the most time consuming and would considered the best. Hand tufting has many qualities and often gets a bad reputation for the goods on the low end of the spectrum that are coarsely tufted and use a bad backing. Fine hand tufted pieces can often achieve the look of a hand knotted rug at much less cost. The main drawback with tufting is the backing. Each tuft of wool is fastened into the foundation using glue. Overtime, this glue will break down (cheaper glues will break down quicker), and the tufts will release. Hand looming is a process of weaving a rug that bear similarities to fabric weaving. The rugs are often very simple in pattern and can be woven very quickly. They generally priced about the same as fine, hand tufted products.
- Density and Content– How fine is the knotting, tufting, or looming of the rug and what is it made of? Finer rugs take longer and generally cost more, as do rugs made or wool or wool and silk rather than synthetics.
sm’s: What else should you consider purchasing when buying a rug?
KS: We always recommend a good rug pad. Aside from preventing the rug from slipping, it also provides sound dampening and helps ease the wear of a rug. In spaces where children and/or pets may be present, we also suggest having your rug sealed.
sm’s: What’s the best way to keep a rug looking its best?
KS: The primary upkeep would be vacuuming. This can be done weekly (or as needed). Make sure the height of your vacuum is set so that it does not lift the rug. In some instances, you may wish to turn off the beater bar or only use it occasionally. Spot cleaning can usually be done with water or a 50/50 mixture of white vinegar and water. If the rug is wet, make sure it dries thoroughly to prevent mold and dry rot.
With a little knowledge and preparation you’ll be set to find your perfect rug! Good luck on your search, and feel free to reach out to our team here at steve mckenzie’s with any questions you may have and guidance you need.
Thank you to Kent and Verde Home for providing their expertise – their showroom should not be missed when searching for a fantastic rug!
It’s all in the details – that’s one of our mantras, as we’re willing to bet it’s one of O&G studio’s mantras as well. Today, we’re sharing an interview with Sara Ossana, one of the founders of O&G Studio, a modern furniture company, featuring American-made Windsor designs. Sara’s talents span an array of industries, including movie production, but our partnership with O&G Studio is how we were initially introduced. O&G Studio’s designs are classic with a nod to modernity and brilliant touches, which make them true heirlooms. We’re fans of Sara’s and O&G Studio and think you will be too! Enjoy today’s “Who you NEED to meet” post, featuring Sara Ossana…
Jon & Sara – co-founders of O&G Studio
sm’s: Can you please share a bit about your background/how you started O&G Studio and how you gained the courage to break out on your own?
Founded in 2009, the duo met over ten years ago as graduate students at The Rhode Island School of Design (RISD), where Jonathan studied jewelry and Sara studied interior architecture. Their combined backgrounds allow them to blend intricate detailing with a play on scale and proportion to bring traditional motifs into the 21st century.
Atlantic Counter Stools
sm’s: What inspires you/your work?
Based in Warren, Rhode Island, O&G Studio looks towards the rich history of American design traditions for inspiration. Particularly the American Wing at the Metropolitan Museum of Art as well as local auctions in and around New England. Essentially we take inspiration from our surroundings, from nature as well as craft.
Metacom Arm Chair
sm’s: What is your vision, not only for O& G Studio, but also the individual designs/products you create?
Quality and timelessness are a main focus. We tend to play a lot with scale and proportion and are known for color, particularly our rich stain selections all custom mixed by us in our 20K sf combined studio, showroom and shop. We are not interested in trends or forecasting. We look to design pieces that can work in a multitude of interiors spanning contemporary to transitional and traditional. The pieces pair well with other antiques or modern designs thus making them quite flexible in any interior. We usually start with a ‘room’. We see the entire space with the piece sitting from afar. It must make an impression immediately. Upon closer inspection more detail is revealed adding intrigue. Then when used additional details are discovered through touch and feel of the piece satisfying multiple scales of interaction.
Athenaeum Settee
sm’s: Do you have any “mainstays” in your work – is there something you’re always drawn to?
We are always drawn to narrative and legacy. We like to imbue our work with meaning beyond a simply aesthetically pleasing object. I wouldn’t say that we have any mainstays. We love all of our ‘children’ the same:)
sm’s: What are the differences in your collections – i.e. how do you create such unique pieces that remain a part of one, cohesive line?
Magic! No – just kidding, we are neurotic, fastidious work-a-holics. We have to thank our respective spouses for putting up with us. We are very detail oriented but all see the big picture. We never release a piece that we are not fully behind or confident in. I think that the dual partnership also keeps us in line. It creates a constructive critique environment to discuss designs and their merit.
Colt High-Back Side Chair
sm’s: What do people need to consider when looking to purchase from O&G Studio?
I would say a few things, take your time. We make everything to order. We can help with decision making and understand that our work can be a focal point in a room. Feel free to ask anything about a piece. We like to match our clientele up with work they will be happy with forever. Everything is made to order so we will pick the wood for your piece by hand to match the stain you choose, this takes time. Pieces can take up to 12 weeks to produce during busy times of year, although sometimes we have unfinished stock available on a quick ship lead time.
sm’s: What’s on the horizon for you/O&G Studio?
The best thing about creativity and business is they way they build their own momentum. Every idea, every challenge sets in motion an exciting series of events. This coming year is all about feeding our creative vision through speculative one of a kind, one off pieces. These allow the full blown expression of an idea that can give birth to an entire new production line. sm’s: As an artist/business person how do you recharge? Good question, we love to eat so really good food is always a must. Going to the beach, enjoying Rhode Island and spending time with our families. Both of us have small children so weekends are off limits for work. We spend that time with our children enjoying everything that the Ocean State has to offer. We also find a lot of inspiration from teaching; both Jonathan and I teach at the collegiate level at RISD. Working with young designers is important. We want to give back and help others on their career paths.
Absolutely fantastic! As are the designs from O&G Studio. We invite you to visit the steve mckenzie’s showroom to see Sara and Jonathan’s work in real life and learn what they may be able to create for you. Thank you to Sara for agreeing to participate in this spotlight feature – we’re officially fans!
Once again, we’re proud to have an opportunity to participate in the Design, Wine & Dine, supporting historic Macon, Georgia! In addition to the many exciting experiences taking place June 15-25, a feature will be the designer showhouse; in which, a dining room by McKenzie Design will be a highlight!
This year’s home is truly special – it’s the Porter House on Wesleyan College’s campus. Historic Macon worked with Wesleyan College to move the Porter House from its original location in South Macon when it was donated to the college in 2013. The house has elements of the Tudor Revival and Chateauesque styles. Wesleyan has retained many of the house’s features, including the original ceramic tile roof, wooden floors, built-in cabinets, casement windows, and intricate wormy chestnut woodwork.
The Porter House was built in 1928 for James Hyde Porter and his family as a summer retreat. The house was designed by architects W. Elliot Dunwody and William F. Oliphant. The Porter family donated the house to Wesleyan College, the first women’s college in the United States, in 2013. After moving the structure from its original location in South Macon to its campus, Wesleyan College completed an extensive restoration of the house with help from Dunwody Beeland Architects.
Now Steve, alongside a slew of talented, local designers, will revitalize the interior of this fantastic home, thanks to some high design. Steve’s space, partially seen in the above image, is a fantastic, blank palette of a dining space, which will be transformed into something spectacular!
Here’s a glimpse of what’s to come in the Porter House dining room – a quick, behind-the-scenes shot taken during install.
And a little sneak peek of the tablescape being designed for the showhouse… Just dreamy!
Check back soon to see the big reveal, and be sure to plan a visit to Macon soon to enjoy all their Design, Wine & Dine events have to offer!
This Memorial Day we honor those who fight for our freedom. And this year, this rememberance means so much more, after a young soldier we know, who recently passed in Iraq, was buried in Arlington Cymetary.
Please take a moment to thank a member of our armed forces and remember how lucky you are to be a part of this great nation.
And to those celebrating this long weekend, please do so safely.
Our showroom will reopen Tuesday at 10am. The steve mckenzie’s team looks forward to seeing you then!
We’re absolutely delighted to introduce you to one of the most exciting artists to come out of the South in some time, Elizabeth Fowler! And we’re even more excited to share that we’ll be hosting Elizabeth’s art debut in Atlanta on June 8th – mark your calendars now!!
Elizabeth is fun, dynamic and her work will have you using all the heart eye emoji’s you can handle. She’s a true professional; absolutely polished and totally poised for even bigger and better things. We’re thrilled Elizabeth will be showcasing some of her work at steve mckenzie’s and wanted to give you a glimpse into who she is before the big debut. We hope you enjoy this latest installment in our “Who you NEED to Meet” blog series!
Elizabeth Fowler
Elizabeth Fowler lives in Jackson, MS. She graduated from The University of Alabama with a degree in Communication and Information Sciences. She began painting in March of 2016 and has since held successful pop up exhibitions at the Mississippi Museum of Art After Hours series, Courtney Peters Design and Adam Trest Home.
In 2016, her work was included in the Fondren Renaissance Foundation’s annual Cedars Juried Art Show and she was named one of Portico Magazine’s 2016 Artists Rising. This year, Elizabeth was included in the self-portrait exhibition at Fischer Gallery in Jackson.
sm’s: Can you please share a bit about your background/how you started/how you started Elizabeth Fowler Art and how you gained the courage to break out on your own?
EF: I spent the first 13 years of my career in marketing project management, client relations and new business development. I’d always had a desire to do something more physical and more creative. To create a “product” of some sort. A little over a year ago, I left my marketing post not knowing what my next step would be. The main goal was to focus more acutely on raising my 4 year old daughter, nurture my true self, better support my husband and pay more attention to our household. But mainly nourish my then-depleted soul.
I really wrestled with what I would “do next” to make a mark, prove value or justify existence. I received the greatest gift of all…. the luxury of rest and the ability to wait. I thought about going back to school but wasn’t sure how I’d select between multiple interests. I thought about beginning to write but wasn’t sure what my goal would be with the writing and frankly was afraid I’d get lost in my own musings. Then, I remembered painting. I chose painting because I thought it might be the most reasonable way for me to export parts of my spirit.
There were many fears. But, I realized that I really had nothing to lose and just went for it. In short order, I had sold several paintings and was very encouraged to keep going. The work just started pouring out of me. The act of painting was so meditative and healing for me and I loved that it opened me up to so many new relationships with other artists, collectors, etc.
One year later, I realize that this year of painting, resting, trusting has been the best year of my life. That joy is the fuel for growing my body of work and continuing to stretch my abilities.
sm’s: What inspires you/your art?
EF: Wow. So much.
I’m inspired by materials and processes. I love nothing more than testing new materials and processes.
Other artists. The more I paint, the more I hunger for imagery created by others. I love it when I think that I’ve seen great art and then I’m introduced to a new artist and my entire paradigm for “good work” is shattered and recreated.
I’m inspired by beautiful weather. I paint out of doors at my home. The light filtered through the tress in my backyard on a 70 degree day is irresistible.
I’m inspired by the forces behind the development and sustenance of the natural world.
I’m also frequently inspired by Instagram photos before they fully load. You know when they’re still blurry and abstract. The most mundane subject matter becomes SO visually interesting when blurred! I always want to paint after seeing those — thank God for slow internet connection!
sm’s: What is your vision, not only for the Elizabeth Fowler Art brand, but also the individual pieces you create? EF: I don’t consider myself to be a brand. About 8 months ago, I tried to think of myself/ my work in that way and I learned that it took the life out of it for me. So now, I just paint what I paint. Even though my pieces vary in color and theme, they usually all carry the mark of my collective experience. I’m not sure quite how that happens, but the marks end up relating all of my paintings to each other. I paint intuitively, so I don’t go into a body of work with an expectation or vision. Correction…. Sometimes I do and my intuition takes over, yielding something that in NO WAY reflects my original intention. The piece comes out and it is what it is (forgive the overused expression!). What I hope for each piece is that someone will be drawn to it, appreciate it, buy it and enjoy it.
sm’s: Do you have any “mainstays” in your work – is there something you’re always drawn to? EF: If you asked my mentors and art advisors, they’d say “YES!” but, my answer is that I’m so new at this that I couldn’t say there are elements that I cling to. Of course there are tools in my kit that I pull out. Drizzling, dripping, spraying, doodling. sm’s: What are the differences in your collections – i.e. how do you create such unique pieces that remain a part of one, cohesive line? EF: I paint collections in sessions. On any given day, I’ll put down 3-10 pieces of paper or canvas and paint in succession until they’re complete. Once those are finished, I really can’t replicate it. The work itself is a record of the weather that day, my mood and the materials that were available to me at that moment. The pieces are cohesive because they all come from the same point of origin, me.sm’s: What do people need to consider when looking to purchase one of your pieces?
EF: I think that the only thing that is required to purchase one of my pieces is connection. A connection with the piece. The owner’s connection with the piece, which might be completely different from my connection with the piece. The painting is like a person…. It’s allowed to have different connections with different people.
The second thing that would be nice is a connection between the buyer and me. I love people. I love when I really get to know who they are. I realize that the more work I sell, the harder it’ll be to truly connect with every buyer. But I’d love it if that were possible. I want people to look at my work in their space and feel a warmth because they love the work but also to feel as though they’ve purchased a spec of my being and are able to celebrate the moment I made the piece. sm’s: What’s on the horizon for you/Elizabeth Fowler Art? EF: The thing that I MOST love about life is the unpredictably of it all. Two years ago I was working to help proliferate a casual dining brand with NO IDEA that I’d be painting. Six months ago, I couldn’t have imagined that I’d meet and connect with some of the artists with whom I’ve been fortunate to form unique bonds. LIFE IS AMAZING! That being said.
In the next year, I’d like to amp up my presentation and land a two-person or solo gallery show. I’ve just hung my first solo show in a community gallery. My next step is to work with a full-time commercial gallery on a show.
sm’s: As an artist/business person how do you recharge? EF: Funny. Painting is the recharge for me. I paint about two days a week and it is such a catharsis for me. It’s important for me to maintain a balance in my life. Elements in that balance are quality time with friends and family, travel, afternoon cocktails with my husband (Mint Juelps), play with my daughter…. And sleep. I love to sleep. It’s the only time I can get my mind to stop. 🙂
sm’s: Anything else you can think our readers would enjoy learning about you/your business/artwork? EF: Come see me! I want to meet you, hear from you, get to know you!
And she means it – and we’re offering the perfect opportunity for you to interact with the artist. Her Atlanta debut on June 8th… We look forward to seeing you there! Contact the team at steve mckenzie’s with any questions.
Have we got a tabletop for you on the second installation of our Tabletop Tuesday series! The colors, textures and patterns all blend to create an absolutely delectable setting, which will be ideal for any springtime gatherings from Easter and beyond. Today, we’re pleased to share our “Mikado Modern” tablescape with you..
For this tablescape, we turned to what has become a favorite collection of ours, initially introduced a few years ago by Royal Crown Derby, the Mikado collection. Mikado is an updated, contemporary take on a traditional pattern, first introduce in 1894. The individual pieces tell the story of the beloved opera, The Mikado. Respecting its past, yet appropriate for today’s modern lifestyle, is what we love about this pattern. The bright colors solicit feelings of fresh blooms, crisp spring air and bright sunny walks.
For this tablescape’s floral element, we were able to partner again with Erin Weston of Weston Farms. The timing could not be more perfect for us to incorporate the Japanese magnolia blooms, forsythia and redbuds, all combined with Weston Farms’ fantastic magnolias.
Our antique, French table provided a perfect backdrop for our table setting once again.
A lovely Le Jacard Francais runner was the base of our setting.
The RCD Mikado, in a lavender colorway is the base of our place setting.
We then layered the settiing with a turquoise salad plate and a lime bread and butter plate.
This cutlery is what we have at home and, to us, the ivory evokes the feel of a bygone era.
Clear, stemless glasses for the wine and water were chosen, so as not to compete with all the color we already have going on in our tablescape.
For the main centerpiece, Erin put the RCB Mikado canister in blue to use as a vase. It was then coupled with some blue and white ware with a variety of spring blooms
We even incorporated this beautiful crystal votive, in Green Calcite, by Tish Mills of Harmonious Living and paired it with only the Stamens and Carpels of the magnolia blossoms.
Next, to celebrate the Asian feeling of the china, we added my favorite 3 Emperors bejeweled by Eric Cortina.
In the end, the table appears set for a king, or at least anyone celebrating the upcoming Easter holiday, or any spring occasion!
The full Mikado collection can be viewed here – the color combinations are absolutely fantastic!!
Will you be incorporating any Mikado pieces into your Easter and spring-themed tablescapes?!? We’d love to hear how you incorporate color and we hope we’ve inspired you to think a bit outside the box with your upcoming tablescapes!
Photos by Rustic White Photography.
This past Friday was “National Pack Your Lunch Day” (yes, it seems there’s a day for everything) and it inspired us to get thinking about more creative ways to get us excited about lunchtime. Forget the boring brown bag – we’re revitalizing lunchtime with some fun additions to pump up your basic lunch from home and tantalize your taste buds with the promise of a delicious, mid-day pick-me-up!
Our first step – forgo those pb&js for something a little more exotic and healthful. Such as, this butternut squash and cranberry quinoa salad from Katya at Little Broken blog…
BUTTERNUT SQUASH AND CRANBERRY QUINOA SALAD
- 3 cups butternut squash, chopped
- 1 Tbsp. olive oil
- 1 cup uncooked quinoa (I used rainbow quinoa but any type will do)
- 1½ cups water
- ⅓ cup dried cranberries
- ⅓ cup red onion, finely chopped
- 3 Tbsp. toasted pumpkin seeds
- salt and black pepper
- ½ cup olive oil
- ¼ cup balsamic vinegar
- 1 tsp. honey
- 1 tsp. Dijon mustard
- 1 garlic clove, minced
- salt and black pepper
- Preheat the oven to 400F.
- In a large bowl, toss the butternut squash with olive oil. Season with salt and pepper, to taste. Arrange coated squash on a baking sheet in a single layer. Roast for 20-25 minutes or until squash is tender and lightly browned.
- While the squash is roasting, rinse quinoa under cold water until water runs clear. Place quinoa and water in a medium saucepan. Bring to a boil, reduce to a simmer, and cook partially covered until liquid is absorbed, about 20 minutes.
- To assemble the salad, combine the cooked quinoa, roasted squash, cranberries, red onion, toasted pumpkin seeds in a large bowl. Add the vinaigrette and mix until combined. Season with salt and pepper, to taste. Chill in the refrigerator for couple hours and serve.
- Whisk all the ingredients in a small bowl until combined. Season with salt and pepper, to taste.
YUM. Now, that’ll get us excited for the lunch hour any day of the week! It’s fresh, flavorful and gluten free (a must for the McKenzie household).
MELAMINE CATALINA CEREAL BOWL
Another bonus to this salad, it’s beautiful to boot. You know they always say you eat with your eyes before your stomach, so we should make our food look as appetizing as possible. One way to do this is to drop the tupperware and serve your lunch in a dish more deserving of the effort you put into your meals. That’s where our melamine dishware comes in. It’s as beautiful as fine china, yet as durable as your plasticware. Bottom line, it’s brilliant and will make your lunch look lovely as well!
And how’s this for synergy – also last week, we also received an e-mail with a link to a post on The Edit about & “Recipes To Pack For Lunch This Week.” Wowzas… We don’t know what to go for first, the “Farmer’s Market Bowl” or the “Avocado Club Sandwich With Marinated Portobello Mushrooms?!?”
Although any of these amazing-sounding recipes are sure to elevate your traditional lunchtime fare, another easy way to make more of your packed meals are fabric napkins. We’re BIG fans of a classic fabric napkin and use them all day, every day. Steve and Jill have even been known to bring them on roadtrips!
LE JACQUARD ORIGAMI MULTI NAPKIN
Wrap your utensils in a fun fabric napkin and take your lunch to the next level!
So, please share – what are your favorite ways to make your typical weekday lunch a little special? We’d love to learn!
Oh do we have a delectable post for you today… Our featured Tastemaker is Tamara Eckles of Jem of the South, a dessert media company. Yes, dessert – as in cookies, candies, cakes and SO much more. Tamara, is an expert in sweet treats and events revolving around them!
This past fall, we attended the Black Southern Belle Collective, where we met Tamara (who’s just as sweet as her desserts!) and we knew we had to share a bit about her and her devotion to desserts with all of you. Plus, not only is she a southern entrepreneur, she’s a neighbor of ours, just north of the city. We know you’ll enjoy this little taste into the life of a dessert enthusiast, who’s made a career out of her passion.
Tamara Eckles
Tamara has been baking since she was a teen and began Jem of the South in 2010 as a way to share her creativity through baking. This adventure has led to her own radio show, hosting dessert events, producing dessert guides and her soon-to-be-launched first cookbook, “Let’s Have Brunch!”
1. Three words that describe your culinary point of view?
Classic, doable desserts.
2. Would you please share a little about your favorite project to date?
My favorite and most challenging project to date is my first cookbook. I am self publishing and I’m doing just about everything. Recipe development, styling and photography. I’ve learned in this process that I can do more than I thought I could ever do with my business!
3. What’s the source(s) of your inspiration?
I find inspiration in so many places. Starting Jem of the South I was inspired by both of my grandmothers. But as I’ve grown my business over the last 7 years I’ve been inspired by both of my parents and my brother and many other creatives out in the social media landscape.
4. Name three people (alive or dead) you’d invite to your dream dinner party…
I’d invite both of my grandmothers so they could see the dream come to life that was inspired by them. I can’t think of a third person.
5. A piece of/type of food (favorite sweet?! :-)) you couldn’t live without?
I couldn’t live without ice cream. I love it and eat it almost every night!
6. Do you follow a particular set of rules when creating recipes – how do they work for you?
When I’m working on recipes I really follow what my heart says. I don’t follow a certain trend. I like classic recipes and also recipes that can actually be made in someone’s kitchen. I like being adventurous too, but I also ask myself before I put a recipe on my website, would this recipe be something I’d make if I didn’t have my website? If it seems over the top or unrealistic, then I don’t put it on the site.
7. Trending: What is something you are currently “into” and something you are “over?” In regards to cooking/food…
That’s a good question. I’m into baking breads from scratch. I’m into bread baking every year and I’ve yet to bake as much bread as I’d like to. Oh and making candy. I love making candy. Not really over anything because there is always a way to make something that is old new again.
8. What would be the one thing you would have if you were stranded on a deserted island?
Is there wifi? LOL! Okay, I’d need my bible, pictures of my loved ones and an unlimited supply of ice cream.
9. Please share a piece of advice you’d offer to someone looking to break into your industry.
I’d say stay true to your style and the goals you are wanting to accomplish. Some may want to open bakeries, others may want to write and develop recipes. Do what you feel is right or works for you and don’t let someone else veer you in a direction that isn’t the one you want to go into.
Three cheers for ice cream! Ha! We love Tamara’s favorite treat and are all about a little scoop to put an end cap on a busy day. And we must give kudos to Tamara for keeping it real and accessible. Y’all – check out her Instagram and tell us you can exit uninspired. It’s impossible! Oh my, those peach tarts, homemade marshmallows, sweet potato donuts… what?!?
THANK YOU Tamara for allowing us to tap into your sweet world. At least enjoying your lovely photographs and lusting over the recipes won’t give us a cavity :-)) Looking forward to more treats this year!
So you’ve probably seen the Pantone Color of the Year ” Greenery” by now. You might also be wondering how this zesty yellow-green shade applies to your surroundings, as you may not be ready to swap out all of your furniture.
Let us show you how to incorporate some home accessory items from Selamat Designs in your home, re-vitalizing your palette, much like updating your wardrobe with a new trendy necklace or coat.
Revitalize your home with shades of “Greenery”!
Visit the showroom or email us for more details. Looking for more assistance with your interiors? McKenzie Interior Design is at your service!
Have a wonderfully fresh week!
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