Art Archives | Page 2 of 13 |

If you’ve ever visited the steve mckenzie’s showroom in Atlanta’s West Midtown neighborhood, you know we’re surrounded by some pretty fantastic neighbors. This includes our neighbor right next door, Verde Home. You may remember the many posts where you’ve we’ve made mention of them. We’re obvious fans. Plus, Steve has designed a line of rugs with Verde Home, which was such an honor!

Naturally, we turned to our friend, Kent Schneider, of Verde Home, when looking to share information on selecting an ideal rug for a space. He was so kind to answer our many questions and we thought we’d share them with you in this post all about how to choose an area rug.

After all, rugs are one of the primary elements of a space we’re asked most about and unfortunately, it’s easy, even with good intentions and tastes to not get it right. We hope this post helps you in your area rug selection. And please know, our design team here at steve mckenzie’s is always available to aid in your search and selection!

steve mckenzie’s: How do you know where to shop for a rug?

Kent Schneider: I would suggest looking for a specialized rug dealer or a store that sells rugs as a category rather than just as an accessory.  By this I mean if you go into a home furniture store that has rugs on the floor but has no area to display and browse rug options…chances are they are just using them to make the furniture they are selling look good and they may not know as much about them.  There are many exceptions to this, but in my experience I think it is a good rule of thumb.

sm’s: What should you know about your space when shopping for a rug?

KS: Most important would be the size of the room.  That seems obvious but you would be surprised how many customers really have no idea how big the room is.  9 out of 10 times when customers estimate the size the do so on the small side.  Rugs out of context often look very big.  When you shop for one you may see an 8×10 in a stack and think it is a very large rug and perfect for a living room that actually needs a 10×14.

sm’s: Which rug materials work best in certain spaces?

KS: Right now, I would say Wool is still the fiber of choice for all indoor applications.  It has great resilience, luster, and cleans well.  Most of the synthetics on the market will always compare themselves to wool.

For outdoor applications, you will see a variety of fibers used.  Rugs that get full exposed are generally made from some sort of woven plastic and can be very cheap (because they tend to last only a few seasons).  Polyester is a good choice for covered out door areas as it handles moisture well.  Most recently, we have seen solution-dyed acrylic fiber, like those used in Sunbrella fabrics start to make their way into the floor covering industry.  At present, the piled rugs made from these are pricey, but I expect that will come down and these will become a good indoor/outdoor option. 

sm’s: How do you determine the right size rug for your space?

KS: There is no hard and fast rule about how to size the rug for your room. In my experience, the larger the rug you can fit in a room, the larger the room will feel.  Rugs tend to ground the room and define the boundaries of conversation groups.  Undersized rugs can make a room feel cramped and can get lost under furniture.

You should also consider natural traffic patterns and doorways when laying out a room.  When in doubt we always like to draw a room out to scale to see how a rug will fit. But if you need a quick method to visualize it we suggest marking the area off on your floor with some masking tape.

sm’s: What questions should one ask when shopping for a rug?

KS: Not all rugs are created equal and this will often be reflected in the price. Here are some different terms you’ll hear, which will help you determine what type of rug will work for you and your budget…

1. Handmade or Machine made – with very few exceptions the machine-made rug should be cheaper than the hand made.  That doesn’t always mean better because rugs come in many different knot densities.  However, when comparing two rugs of similar content and density, the handmade rug would most often be more expensive and would generally be considered the better rug.
2. Hand knotted, hand tufted or hand loomed – Handmade rugs can be made using Hand Knotting, Hand Tufting or Hand Looming.  Hand knotting is the most time consuming and would considered the best.  Hand tufting has many qualities and often gets a bad reputation for the goods on the low end of the spectrum that are coarsely tufted and use a bad backing.  Fine hand tufted pieces can often achieve the look of a hand knotted rug at much less cost. The main drawback with tufting is the backing.  Each tuft of wool is fastened into the foundation using glue.  Overtime, this glue will break down (cheaper glues will break down quicker), and the tufts will release. Hand looming is a process of weaving a rug that bear similarities to fabric weaving.  The rugs are often very simple in pattern and can be woven very quickly.  They generally priced about the same as fine, hand tufted products.
3. Density and Content– How fine is the knotting, tufting, or looming of the rug and what is it made of?  Finer rugs take longer and generally cost more, as do rugs made or wool or wool and silk rather than synthetics.

sm’s: What else should you consider purchasing when buying a rug?

KS: We always recommend a good rug pad.  Aside from preventing the rug from slipping, it also provides sound dampening and helps ease the wear of a rug. In spaces where children and/or pets may be present, we also suggest having your rug sealed.

sm’s: What’s the best way to keep a rug looking its best?

KS: The primary upkeep would be vacuuming.  This can be done weekly (or as needed).  Make sure the height of your vacuum is set so that it does not lift the rug.  In some instances, you may wish to turn off the beater bar or only use it occasionally. Spot cleaning can usually be done with water or a 50/50 mixture of white vinegar and water.  If the rug is wet, make sure it dries thoroughly to prevent mold and dry rot.

With a little knowledge and preparation you’ll be set to find your perfect rug! Good luck on your search, and feel free to reach out to our team here at steve mckenzie’s with any questions you may have and guidance you need.

Thank you to Kent and Verde Home for providing their expertise – their showroom should not be missed when searching for a fantastic rug!

Our space in this year’s Design, Wine & Dine Showhouse, supporting the Historic Macon Foundation is finally complete! While we’re delighted with the way the dining room by McKenzie Design turned out, we’re even more thrilled to have been in the company of such talented designers from throughout Middle-Georgia, including Lisa Bellwin, Tracy Benton, Sally Draughon, Valerie Garrett, Judy Hodgens, Terry Holland, Carolyn Reichert, Carrie Robinson and Katherine Walden.

Most recently, our design team has been inspired by the all the lush, tropical motifs, which seem to be popping up everywhere! While we wanted to ensure we respected the history of the fantastic Porter House – moved to Weslyan University‘s campus – we also wanted to present our take with an updated sense of tradition. We’re so pleased with the results of our design plan, and are lucky to have had the opportunity to partner with some truly terrific manufacturers and artisans to help us realize our space…

We fell in love with Sherwin Williams’ “Iverness” and opted to use this luxurious hue throughout the dining room. The brass Pagoda light fixture by Currey & Company was a true jewel in the space! The cerused oak dining table, from Grange Furniture, was an ideal backdrop for our tablescape.

We had a ball with all of the fabulous Thibaut Design textiles used in the dining room – the “Tropical Fantasy” design from their Biscayne collection was the jumping off point and we went from there. Drape 98 provided all drapery fabrication for our space. As evidenced by the McKenzie Design showhouse dining space, we fell in love with the tropical, yet classic, design of our primary textile, featuring large leaves, colorful ginger jars and exotic animals.

The lush texture of the Moss colored velvet, paired with Selamat’s Sheridan wingback chair offered a smart juxtaposition of textures, and offers a natural element. These dramatic chairs, act as the “head” of our dining table, while the Sika Rossini chairs, act as the side chairs. Our showhouse dining space is anchored with a stunning, hand-knotted rug by Laura Walker for Verde Home.

This beautiful settee is by Bjork Studio, who provided all our upholstery. The settee, in bold animal print (Amur from the Menagerie Collection by Thibaut) is a highlight in the space and was the most talked about piece opening night – by far.

The hand finished mirror situated above the fireplace cannot go unnoticed. It’s by artist Stacy Milburn, and added needed contemporary element, which offers an exciting energy.

To set the table, we paired pieces from the new Jardins Extraordinaire collection by Gien with the classic handmade Chartreuse dinner plate by R Wood Studios. The exciting and fresh “Pebble in Blush” napkin, hand printed in India, by Collier Rose Ink, completes a memorable place setting.

Recently, we acquired six vintage pieces of glass from an old Midwest factory that still had the papers attached. Framed in these stunning steel frames, they make for an interesting, contemporary addition to the space, yet share a storied past. We love using pieces with a bit of history in our designs!

This glimpse of our showhouse tabletop is one of our favorite moments. We dubbed this little guy “Otis,” after Otis Redding, who was from Macon. He is by Avala International. In the background is the beautiful oyster vase, by Vine Garden Market, and a crystal votive from Harmonious Living by Tish Mills.

We hope you have enjoyed this little tour of our showhouse dining room! If you’d like to learn more about any of the products used, please plan a visit to our showroom or reach out via e-mail or phone.

We urge you to plan a trip to Macon to visit the showroom – the house, as well as all related Design, Wine & Dine events are absolutely worth the short drive! Please reach out to us for restaurant recommendations and be prepared to be inspired by this historic city. Visit the Macon, GA website for other fun excursions to enjoy while there. But, keep in mind, the showhouse will only be open through the 25th – you can see more details here.

Thanks again for joining us on this tour – please let us know your thoughts!

All photos in this post are courtesy of Marc Mauldin Photography except the photo of the Porter House from Historic Macon Foundation

It’s all in the details – that’s one of our mantras, as we’re willing to bet it’s one of O&G studio’s mantras as well. Today, we’re sharing an interview with Sara Ossana, one of the founders of O&G Studio, a modern furniture company, featuring American-made Windsor designs. Sara’s talents span an array of industries, including movie production, but our partnership with O&G Studio is how we were initially introduced. O&G Studio’s designs are classic with a nod to modernity and brilliant touches, which make them true heirlooms. We’re fans of Sara’s and O&G Studio and think you will be too! Enjoy today’s “Who you NEED to meet” post, featuring Sara Ossana…

Jon & Sara – co-founders of O&G Studio

sm’s: Can you please share a bit about your background/how you started O&G Studio and how you gained the courage to break out on your own?

Founded in 2009, the duo met over ten years ago as graduate students at The Rhode Island School of Design (RISD), where Jonathan studied jewelry and Sara studied interior architecture. Their combined backgrounds allow them to blend intricate detailing with a play on scale and proportion to bring traditional motifs into the 21^st century. 

Atlantic Counter Stools

sm’s: What inspires you/your work? 

Based in Warren, Rhode Island, O&G Studio looks towards the rich history of American design traditions for inspiration. Particularly the American Wing at the Metropolitan Museum of Art as well as local auctions in and around New England. Essentially we take inspiration from our surroundings, from nature as well as craft. 

Metacom Arm Chair

sm’s: What is your vision, not only for O& G Studio, but also the individual designs/products you create?

Quality and timelessness are a main focus.  We tend to play a lot with scale and proportion and are known for color, particularly our rich stain selections all custom mixed by us in our 20K sf combined studio, showroom and shop.  We are not interested in trends or forecasting.  We look to design pieces that can work in a multitude of interiors spanning contemporary to transitional and traditional.  The pieces pair well with other antiques or modern designs thus making them quite flexible in any interior.  We usually start with a ‘room’.  We see the entire space with the piece sitting from afar. It must make an impression immediately.  Upon closer inspection more detail is revealed adding intrigue.  Then when used additional details are discovered through touch and feel of the piece satisfying multiple scales of interaction.

Athenaeum Settee

sm’s: Do you have any “mainstays” in your work – is there something you’re always drawn to? 

We are always drawn to narrative and legacy.  We like to imbue our work with meaning beyond a simply aesthetically pleasing object.  I wouldn’t say that we have any mainstays.  We love all of our ‘children’ the same:)

sm’s: What are the differences in your collections – i.e. how do you create such unique pieces that remain a part of one, cohesive line? 

Magic!  No – just kidding, we are neurotic, fastidious work-a-holics.  We have to thank our respective spouses for putting up with us.  We are very detail oriented but all see the big picture.  We never release a piece that we are not fully behind or confident in.  I think that the dual partnership also keeps us in line.  It creates a constructive critique environment to discuss designs and their merit.

Colt High-Back Side Chair

sm’s: What do people need to consider when looking to purchase from O&G Studio? 

I would say a few things, take your time.  We make everything to order.  We can help with decision making and understand that our work can be a focal point in a room.  Feel free to ask anything about a piece.  We like to match our clientele up with work they will be happy with forever.  Everything is made to order so we will pick the wood for your piece by hand to match the stain you choose, this takes time.  Pieces can take up to 12 weeks to produce during busy times of year, although sometimes we have unfinished stock available on a quick ship lead time.

sm’s: What’s on the horizon for you/O&G Studio?

The best thing about creativity and business is they way they build their own momentum.  Every idea, every challenge sets in motion an exciting series of events. This coming year is all about feeding our creative vision through speculative one of a kind, one off pieces. These allow the full blown expression of an idea that can give birth to an entire new production line.  sm’s: As an artist/business person how do you recharge?  Good question, we love to eat so really good food is always a must.  Going to the beach, enjoying Rhode Island and spending time with our families.  Both of us have small children so weekends are off limits for work.  We spend that time with our children enjoying everything that the Ocean State has to offer.  We also find a lot of inspiration from teaching; both Jonathan and I teach at the collegiate level at RISD.  Working with young designers is important.  We want to give back and help others on their career paths.

Absolutely fantastic! As are the designs from O&G Studio. We invite you to visit the steve mckenzie’s showroom to see Sara and Jonathan’s work in real life and learn what they may be able to create for you. Thank you to Sara for agreeing to participate in this spotlight feature – we’re officially fans!

We’re feeling pretty astounded here sitting on the heels of two amazing titles awarded to steve mckenzie’s!

Steve & Debbie with their ASID Silver Award

A recent kitchen in a full home remodel project recently received the ASID Georgia Chapter Design Excellence Award, Residential-Kitchen, SILVER AWARD!!

Steve McKenzie, along with Debbie Blumencranz of Design Galleria, are honored to have their “Baking Kitchen Remodel” project granted the ASID Silver Award!

The big feature for this kitchen is the light blue La Cornue stove in a 1910 Candler Park home. The full project was highlighted in this Style Blueprint feature!

Another thrilling accolade for our team here – Steve specifically – was a top recognition in a floral design competition. After taking a class in floral composition with Christy Griner Hulsey of Colonial House of Flowers, Steve, along with his classmates were given a design challenge. They had to use Mayesh Wholesale flowers to create a stunning arrangement in a caraway vessel from Accent Decor. As one of only two non-florists in the group, Steve wasn’t sure of his chances, but low and behold – he won!!  Follow along on Instagram for more design details.

Each of these honors was such a wonderful surprise and really sweetened our summer!! Reach out to the team here at steve mckenzie’s if we may be able to bring a little of our award winning style into your space.

We’re absolutely delighted to introduce you to one of the most exciting artists to come out of the South in some time, Elizabeth Fowler! And we’re even more excited to share that we’ll be hosting Elizabeth’s art debut in Atlanta on June 8th – mark your calendars now!!

Elizabeth is fun, dynamic and her work will have you using all the heart eye emoji’s you can handle. She’s a true professional; absolutely polished and totally poised for even bigger and better things. We’re thrilled Elizabeth will be showcasing some of her work at steve mckenzie’s and wanted to give you a glimpse into who she is before the big debut. We hope you enjoy this latest installment in our “Who you NEED to Meet” blog series!

Elizabeth Fowler

Elizabeth Fowler lives in Jackson, MS. She graduated from The University of Alabama with a degree in Communication and Information Sciences. She began painting in March of 2016 and has since held successful pop up exhibitions at the Mississippi Museum of Art After Hours series, Courtney Peters Design and Adam Trest Home.

In 2016, her work was included in the Fondren Renaissance Foundation’s annual Cedars Juried Art Show and she was named one of Portico Magazine’s 2016 Artists Rising. This year, Elizabeth was included in the self-portrait exhibition at Fischer Gallery in Jackson.

sm’s: Can you please share a bit about your background/how you started/how you started Elizabeth Fowler Art and how you gained the courage to break out on your own?

EF: I spent the first 13 years of my career in marketing project management, client relations and new business development. I’d always had a desire to do something more physical and more creative. To create a “product” of some sort. A little over a year ago, I left my marketing post not knowing what my next step would be. The main goal was to focus more acutely on raising my 4 year old daughter, nurture my true self, better support my husband and pay more attention to our household. But mainly nourish my then-depleted soul.

I really wrestled with what I would “do next” to make a mark, prove value or justify existence. I received the greatest gift of all…. the luxury of rest and the ability to wait. I thought about going back to school but wasn’t sure how I’d select between multiple interests. I thought about beginning to write but wasn’t sure what my goal would be with the writing and frankly was afraid I’d get lost in my own musings. Then, I remembered painting. I chose painting because I thought it might be the most reasonable way for me to export parts of my spirit.

There were many fears. But, I realized that I really had nothing to lose and just went for it. In short order, I had sold several paintings and was very encouraged to keep going. The work just started pouring out of me. The act of painting was so meditative and healing for me and I loved that it opened me up to so many new relationships with other artists, collectors, etc.

One year later, I realize that this year of painting, resting, trusting has been the best year of my life. That joy is the fuel for growing my body of work and continuing to stretch my abilities.

sm’s: What inspires you/your art? 

EF: Wow. So much.

I’m inspired by materials and processes. I love nothing more than testing new materials and processes.

Other artists. The more I paint, the more I hunger for imagery created by others.  I love it when I think that I’ve seen great art and then I’m introduced to a new artist and my entire paradigm for “good work” is shattered and recreated.

I’m inspired by beautiful weather. I paint out of doors at my home. The light filtered through the tress in my backyard on a 70 degree day is irresistible.

I’m inspired by the forces behind the development and sustenance of the natural world.

I’m also frequently inspired by Instagram photos before they fully load. You know when they’re still blurry and abstract. The most mundane subject matter becomes SO visually interesting when blurred! I always want to paint after seeing those — thank God for slow internet connection!

sm’s: What is your vision, not only for the Elizabeth Fowler Art brand, but also the individual pieces you create? EF: I don’t consider myself to be a brand. About 8 months ago, I tried to think of myself/ my work in that way and I learned that it took the life out of it for me. So now, I just paint what I paint. Even though my pieces vary in color and theme, they usually all carry the mark of my collective experience. I’m not sure quite how that happens, but the marks end up relating all of my paintings to each other. I paint intuitively, so I don’t go into a body of work with an expectation or vision. Correction…. Sometimes I do and my intuition takes over, yielding something that in NO WAY reflects my original intention. The piece comes out and it is what it is (forgive the overused expression!). What I hope for each piece is that someone will be drawn to it, appreciate it, buy it and enjoy it.
sm’s: Do you have any “mainstays” in your work – is there something you’re always drawn to?  EF: If you asked my mentors and art advisors, they’d say “YES!” but, my answer is that I’m so new at this that I couldn’t say there are elements that I cling to. Of course there are tools in my kit that I pull out. Drizzling, dripping, spraying, doodling. sm’s: What are the differences in your collections – i.e. how do you create such unique pieces that remain a part of one, cohesive line?  EF: I  paint collections in sessions. On any given day, I’ll put down 3-10 pieces of paper or canvas and paint in succession until they’re complete. Once those are finished, I really can’t replicate it. The work itself is a record of the weather that day, my mood and the materials that were available to me at that moment. The pieces are cohesive because they all come from the same point of origin, me.

sm’s: What do people need to consider when looking to purchase one of your pieces? 

EF: I think that the only thing that is required to purchase one of my pieces is connection. A connection with the piece. The owner’s connection with the piece, which might be completely different from my connection with the piece. The painting is like a person…. It’s allowed to have different connections with different people.

The second thing that would be nice is a connection between the buyer and me. I love people. I love when I really get to know who they are. I realize that the more work I sell, the harder it’ll be to truly connect with every buyer. But I’d love it if that were possible. I want people to look at my work in their space and feel a warmth because they love the work but also to feel as though they’ve purchased a spec of my being and are able to celebrate the moment I made the piece. sm’s: What’s on the horizon for you/Elizabeth Fowler Art?  EF: The thing that I MOST love about life is the unpredictably of it all. Two years ago I was working to help proliferate a casual dining brand with NO IDEA that I’d be painting. Six months ago, I couldn’t have imagined that I’d meet and connect with some of the artists with whom I’ve been fortunate to form unique bonds. LIFE IS AMAZING! That being said.

In the next year, I’d like to amp up my presentation and land a two-person or solo gallery show. I’ve just hung my first solo show in a community gallery. My next step is to work with a full-time commercial gallery on a show.

sm’s: As an artist/business person how do you recharge?  EF: Funny. Painting is the recharge for me. I paint about two days a week and it is such a catharsis for me. It’s important for me to maintain a balance in my life. Elements in that balance are quality time with friends and family, travel, afternoon cocktails with my husband (Mint Juelps), play with my daughter…. And sleep. I love to sleep. It’s the only time I can get my mind to stop. 🙂
sm’s: Anything else you can think our readers would enjoy learning about you/your business/artwork?  EF: Come see me! I want to meet you, hear from you, get to know you!

And she means it – and we’re offering the perfect opportunity for you to interact with the artist. Her Atlanta debut on June 8th… We look forward to seeing you there! Contact the team at steve mckenzie’s with any questions.

Please meet our latest obsession – The Vine. A combination landscape design, event design and garden market located on St. Simons Island, The Vine offers a distinct approach to curating some of life’s most special events.

We’re so pleased to have the opportunity to partner with the team behind The Vine, Bryce Vann Brock and Kelly Revels, on a couple very special events at the steve mckenzie’s showroom this week. An evening of Wine with The Vine Thursday and a terrarium making class Friday morning.

Learn a bit about Bryce and Kelly and how The Vine came to fruition:

The Vine was created in 2008 by Bryce Vann Brock and Kelly Revels. This marked an exciting new chapter in a wonderful story that was already being written by their work together at The Sea Island Resort. Bryce served as the resort’s Landscape Director for several years while Kelly specialized there in landscape container design. Together they designed and created spectacular events both small and large at the resort while dreaming of one day combining their talents and energy to form their own business. Today, that talent, energy and vision is embodied in The Vine. So as wonderful as our history is, we are convinced that the chapters yet to be written together will be even more compelling!

Spaces in the terrarium making class are filling up quickly, so reserve your spot now! And how timely is this class with Mother’s Day coming up this Sunday?!? Or, choose to keep your terrarium – they’re a stunning way to add a bit of life and a pop of green to your home or office!

At each of the events with The Vine, you’ll have an chance to preview the new Oyster Containers (available in three sizes), designed by the duo behind The Vine. Inspired by the abundance of natural beauty of the marsh, sea and sky that surrounds St. Simons, owners Kelly and Bryce worked with a local artist to create this organic container that reflects beauty of the area. A limited number of each size is arriving in mid-May.

Contact us today to reserve your Oyster Container or with any questions. Looking forward to enjoying Wine with The Vine Thursday evening and creating some spectacular terrariums in Friday morning’s class!

We’re throwing it back a bit on this Friday, featuring some recent happenings here at steve mckenzie’s. As always, we’re beyond grateful when McKenzie Designs is featured or when the happenings here at the steve mckenzie’s showroom are brought into the limelight!

steve mckenzie’s appears TWICE in the April 2017 issue of House Beautiful!

That’s the Le Cadeaux “Havana” plate right in the center!

We are pinching ourselves here to have been featured two times in the most recent issue of one of our very favorite shelter publications, House Beautiful – especially to see Steve’s name in “The Experts” section!

McKenzie Designs “Bold, Bright and Beautiful” renovation featured on StyleBlueprint…

Click here to check out the full feature of our recent Candler Park renovation and let us know which part is your favorite in the comments below. You won’t be surprised to learn that French Blue range from La Cornue was the top feature for us!

It’s a “Garden Party” in the April 2017 issue of Atlanta Homes & Lifestyles

We’re delighted to see our Jardin Extraordinaires collection by Gien in this absolutely gorgeous spread in the latest issue of Atlanta Homes & Lifestyles. This feature is putting us in the spirit of springtime!

You’re invited to our Spring Tea & Open House!

Last, but certainly not least, is our Spring Tea & Open House event at the steve mckenzie’s showroom this Wednesday. As you can see from the details above, it’s going to provide an extraordinary time! We hope you can join us – please share your RSVP with us by clicking here or on either of the event images.

Thank you for joining us on this little #FlashbackFriday of recent press and look ahead at what’s sure to be a pretty fantastic event! We hope to see you in the steve mckenzie’s showroom soon.

We have a treat for you all today! We’re thrilled to feature the husband-wife team that is Anthony-Masterson. This dynamite team specialize in photography and filmmaking. And their work is almost as fantastic as they are… Steve and Jill have gotten to know Owen and Christine by working with them on a number of design projects and have found such like-mindedness, as they’re also a couple that do just about everything together. We believe you’ll thoroughly enjoy this fun little conversation/interview and are so pleased to introduce you to the latest Tastemakers for the blog for steve mckenzie’s, Owen Masterson and Christine Anthony:

Christine & Owen of Anthony-Masterson Photography

We began shooting sixteen years ago determined to combine our individual talents.  Before that Owen was working with some of the best cinematographers in Los Angeles as an actor and Christine was an in-demand food stylist.  We had both spent a lot of time on sets observing what it took to get a great shot.  Inspired, we picked up a camera and a bunch of film and began shooting.  We started with food.  Shortly after that a new stock agency dedicated to food photography began licensing our images.  In 2001 we shot our first job.  Since moving to Atlanta in 2005 we have been shooting Interiors, Food and Travel.

In 2008 we acted on a long held desire to make our pictures move and began experimenting with filmmaking. This led to a number of short films and two award winning feature length documentaries.

Working in both mediums provides great balance plus we get to travel a lot and work with some extraordinarily talented and interesting people.

1. Three words that describe your aesthetic?

Owen:  Do we each get 3 words?

Christine:  What have you got?

Owen:  Fast, edgy and dangerous.

Christine:  I think that describes you more than the aesthetic.

Owen:  Okay, what have you got?

Christine:  How about balanced, uncluttered and provocative?

Owen: That’s why I love you.

2. Would you please share a little about your favorite space/project to date?

Owen:  You go first.

Christine:  I always go first.

Owen:  Ok.  Plaza Towers  25^th floor, stunning pied-a-terre, killer view of Atlanta skyline. 

Christine:  And the rich tones in the living room.  What about the first interior project we ever shot? That beautiful home on the coast in Malibu owned by the Fluxus artist Van Schley and his wife.

Owen:  Wow that was so long ago and we shot it on film! 

Christine:  And we hardly knew what we were doing.

Owen:  The challenge was the light bouncing off of the Pacific Ocean into practically every room in the house.  But we figured it out.  

Christine:   Speaking of the coast… what about the light in the house at Wrightsville Beach?

Owen:  Love.

3. What’s the source(s) of your inspiration?

Owen:  Christine.  That was an easy one.

Christine:  I guess I better say Owen.  But really, it is Owen.  When you live and work together 24/7 as a team you each bring something different to the party so it’s essential to be inspired by your partner’s vision – or madness.

Owen:  I always know I’m in for something challenging when Christine says “Tell me if you think this is a crazy idea.”  But we don’t live in a bubble so there’s the things we see and the people we meet in our travels that influence and inspire us as well.

4. Name three people (alive or dead) you’d invite to your dream dinner party…

Christine:  That’s tricky.  Only three?

Owen:  John Lennon, the Pope, and it might get fun if say, Amy Winehouse comes.

Christine:  The Pope choice seems off unless it’s Alexander Pope.

Owen:  Okay, how about Jimi Hendrix, Jackson Pollock and Howard Finster?

Christine:  Better.  But I’d really like to cook for Joan Didion so one has to go.

Owen:  Wait a minute, don’t we each get three?

Christine:  We could be here all day… how about we move on?

5. A favorite type of space or even a favorite type of object/setting to photograph?

Owen:  We love the skill set of shooting interiors.  It’s so exacting, like a high wire act. 

Christine:  The placement and balance of objects.

Owen: The play of shadows and light.

Christine:  The vignettes.

Owen:  Capturing the more intimate moments that really express the personality of the room.

Christine: But there’s also a freedom to shooting the travel stories that we enjoy.  Being out and about, anticipating, keeping an eye out for the shot.

Owen:  Because we shoot so many different things: interiors, food, people, travel, and then there are the videos too, it’s like cross training.  It keeps our imaginations limber and eyes fresh.

6. Do you follow a particular set of rules when mixing textures, finishes, etc. – how do they work for you?

Owen and Christine:  See it. Love it.  Shoot it! 

Christine:  That’s been our motto from day one.

Owen:  Of course our clients’ needs come first but we always try to take the shots further than they had imagined; the angle, the frame, the composition.

Christine:  And then there’s the lighting.  We shoot primarily with natural light and Owen is the master of light and shadow so we like to wow our clients with the lighting.

7. Trending… What is something you are currently “into” and something you are “over?”

Owen:  Playing records

Christine:  Owen is the house DJ, he spins, I cook.  I love long hours at the dinner table or on the deck with close friends. 

Owen:  Christine is a great cook so the dinners are always good.  And then there’s the wine and the conversation. 

Christine:  It’s like the exact opposite of social media.

Owen:   Which is anti-social

Christine:  So you’d say social media is over?

Owen:  Definitely over.  And out.

8. What would be the one thing you would have if you were stranded on a deserted island?

Christine:  Do we each get one thing?

Owen:  Fire.

Christine:  That way I could cook.  So maybe I’d bring a knife.

9. Please share a piece of advice you’d offer to someone looking to break into the photography design industry. 

Owen:  I’d give the same advice we were given when we started. Just do it!

Christine:  It’s a process and you have to work at it to find your eye.  Just make sure you understand the business end of it.  That can be the most difficult part for creatives.

Owen:  Find your passion.  It’s an art form even if you’re shooting plumbing supplies. It’s a journey and you should have adventures doing it.

Christine:  Oh, the places we’ve been…

Okay, so that was a lot of fun, right?! We need to find more dynamic duos to feature in our Tastemaker series! At least ones with such wonderful senses of humor… And isn’t their work divine. The way they work with lighting – it’s magical. And they make our spaces look absolutely phenomenal. We’re fans of Owen and Christine’s and are willing to bet that after reading this post you are too!

Steve, along with a slew of other artists, both from within and beyond our local interior design community, will have art up for auction at the ASID Art Auction benefiting the American Cancer Society next Thursday evening!

This artful event is open to the public and all proceeds will benefit the American Cancer Society. Tickets can be purchased here.

ASID Georgia Art Auction Benefiting American Cancer Society

at the Atlanta Decorative Arts Center

Thursday, March 30th, 2017 | 6:00 PM – 9:00 PM EDT

We look forward to celebrating some fantastic artists and fundraising for a great cause! Please feel free to reach out to the team at steve mckenzie’s with any questions…

Fact, beautiful, hand-embroidered linens never go out of style. Another little fact for you, handmade linens make an ideal gift, any time any place. Always. Our friends at Hibiscus Linens take the art form that is handcrafted linens to another level. The time they put into creating each luxurious linen is obvious. Their fine, artisan linens are derived from centuries-old techniques. These pieces are absolutely heirlooms for tomorrow, and their designs are timeless and truly unique.

Mariana Barran

Our friend, and Hibiscus Linens’ founder, Mariana Barran’s work combines a modern aesthetic, which she combines with traditional textile and needlework techniques. As an artist, Mariana is passionate about preserving old world stitching methods, and we so appreciate the passion and time she puts into her work. Her love of linens is apparent, and she’s an absolute gem of a person to boot! We’re thrilled to have the opportunity to introduce you to Mariana and share a bit about Hibiscus Linens with you in our latest “Who you NEED to Meet” blog feature.

sm’s: Can you please share a bit about your background/how Hibiscus Linens began and how you gained the courage to break out on your own?

Growing up there were always guests in my house—it seemed like “Throwing Parties” was my parents middle name. At each gathering, hibiscus tea was always present. Serving this special tea was something different that made everyone that came into our home feel warm and welcome.

Hibiscus Linens is as special as the glass of hibiscus tea we gave to our guests. Every piece of our linens is made by hand and combined with delicate traditional techniques to create beautiful linens for your home and your own guests.

When I was eight, I began learning needlework techniques at school and through the women in my family. I loved it! It was a creative outlet that allowed me to see a full process from start to finish, from creating an idea to see it executed. My mom always encouraged me to be a problem solver. If you can’t find what you want, make it! She used this idea for everything, from party planning and recipe making to bedding and personal clothing.  She was crafty and resourceful and thank god it was passed down on my DNA.

sm’s: What inspires you/your work?

Hibiscus Linens was born for the passion of entertaining and gatherings with a finely made table setting. Our linens are vintage inspired new pieces for your home, not your grandmother’s old linens—though she would be proud of their quality.

The techniques we use are almost nonexistent on today’s market due to the effort and time it takes to produce. All of our products are made in small batches to ensure the quality and the unique style of each. We pride ourselves on the craft of our linens which provide a perfect balance between detailed elegance and modern daily accents.

Currently, I find myself immersed in old textile books, looking, learning, exploring the possibilities of techniques left behind in history and finding ways to bring them back. Studying each stitch is my inspiration.

sm’s: What is your vision, not only for Hibiscus Linens, but also your individual creations?

My vision is to make Hibiscus Linens the needlework and textile design center that we all need. I believe that people are moving back to have timeless pieces that will last for generations to come and we can provide them with the highest level of craftsmanship.

The company has grown so much – it’s not just my work in Houston that we are offering, but a network of artisans who have unique talents and need an outlet for their art. For example, my cousin, Jimena, just graduated from Textile School and she will be the head of our handwoven department, we already have an everyday hand woven cotton napkins collection and we are working on having a full pillow collection by this summer.

sm’s: Do you have any “mainstays” in your work – is there something you’re always drawn to? 

Whitework! White fabric with White thread is my all time favorite, it looks elegant, modern and its so forgiving! If you have a white on white tablecloth and someone spills wine during a dinner party you can always take the spot out! From my point of view is the best combination! It’s a basic that you need to impress your guests.

sm’s: What are the differences in your collections – i.e. how do you create such unique designs that remain a part of one, cohesive line?

Most of it is listening to people. The techniques we use are always the same, crochet, hemstitching, embroidery but everyone’s story is different that is what makes our possibilities limitless. It doesn’t matter if we are planning a handkerchief for your daughters wedding or a bedroom for a new baby; I always spend time with our clients to understand what adds value to them, what they want and what they will cherish for years to come. I also find inspiration in my travels between my house in Houston and my Hacienda in San Miguel de Allende… sometimes a perfect flower on a Saturday morning is all it takes to create a new cocktail napkin design.

sm’s: What do people need to consider when looking to purchase a Hibiscus Linens creation? 

They need to consider what makes them happy, what will add shine to your everyday life. These linens are not to be kept in a box for the “special occasions” they are supposed to elevate everyday living.

sm’s: What’s on the horizon for you/Hibiscus Linens? 

We need to keep spreading the word of old world stitching techniques and we are working on opening our studio in Houston later this year, so we will be able to host an ongoing curriculum of needlework classes and offer an elevated textile design center.

sm’s: As an artist/business person how do you recharge?

As an artist I like to read, and explore other creative outlets like Baking or Calligraphy.

sm’s: Anything else you our readers would enjoy learning from you?

I am coming to the steve mckenzie’s showroom on March 16th and 17th to teach two days of intensive workshops, focusing on Antique French Monograms and Modern Monograms. I am looking forward to it!

Yes – if you’d like to learn more about Mariana’s time at steve mckenzie’s, please give us a call or email us. We’re so looking forward to learning even more about this art form and sharing it with all of our friends and clients here in Atlanta! And please stop into the showroom soon to take a look at these stunning, bespoke linens for yourself… We think you’ll fall in love.

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